Simmons) - reimagined here as an InfoWars-style provocateur with a YouTube channel - both frames Spider-Man for the attack Mysterio (Jake Gyllenhaal) launched on London, and reveals that Peter Parker is the boy behind the mask. It begins immediately after the ending of Spider-Man: Far From Home, as J. Spider-Man: No Way Home kicks off with Peter Parker in a hell of a jam. But No Way Home is a trilogy-capper - often fun, occasionally rough - built on stuff that Sony, Marvel Studios, and die-hard fans would rather we didn’t talk about yet. Ideally, that wouldn’t matter much the story of Peter Parker’s final days as a high schooler is what should make for a satisfying film. There’s more to it than the trailer gets into, and revealing any details would deflate the thrills. That fan service makes No Way Home difficult to discuss without spoilers. And Spider-Man: No Way Home brings Peter to his biggest screw-up yet, making for a fascinatingly messy film that tries to juggle fan service with a finale for Peter’s high school years. 2017’s Spider-Man: Homecoming and 2019’s Spider-Man: Far From Home show a world where aliens invade and supersoldiers wage war, filtered through the eyes of a kid from Queens who’s strong enough to fight alongside the older heroes, but not yet wise enough to keep from getting in over his head. While every cinematic Spider-Man story has picked up with the hero in high school, Tom Holland’s take on the character is the one most firmly planted in the teenage experience. One of the biggest delights of the latter-day Marvel Cinematic Universe has been watching its version of Peter Parker/Spider-Man screw up in bigger and bigger ways.

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